HT0919 - One Subject, Two Orientations
LensWork - Photography and the Creative Process - Un pódcast de Brooks Jensen
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Most frequently, I find that the subject of the photograph determines the orientation I use. As obvious as that might sound, I've also found it an incredibly useful strategy to force myself to use the opposite orientation. Does not only keeps me out of creative ruts, but I can't tell you the number of times I've been working a project only to wish I had an image in the opposite orientation because it fit the layout of the project better.
