Tintoretto Lecture Series, Part 1—Tintoretto in Context: Framing Tintoretto: Sixteenth-Century Venetian Painting

Eric Denker, senior lecturer and manager of gallery talks and lectures for adults, National Gallery of Art On the occasion of the exhibition of Tintoretto: Artist of Renaissance Venice, Eric Denker, senior lecturer at the National Gallery of Art, presents a four-part lecture series examining Jacopo Tintoretto’s work in the context of 16th-century Venetian art, history, and culture. In the first lecture, “Tintoretto in Context: Framing Tintoretto: Sixteenth-Century Venetian Painting,” held on April 16, 2019, Denker discusses Venetian Renaissance painting beginning with Giovanni Bellini, his workshop, and his followers, in the second half of the 15th century. Giorgione and Titian were among his most prominent pupils, developing out of Bellini’s linear style the more atmospheric color, light, and shadow characteristic of Venetian High Renaissance oil painting. Though Titian would dominate the painting of large-scale altarpieces and decorations in Venice during the first half of the 16th century, rivals influenced by contemporary central Italian art appeared in Venice by the 1520s and ’30s. Artists including Pordenone and Andrea Schiavone provided alternative sources of style and imagery for both painters and patrons.