Curtis Sittenfeld Reads “The Prairie Wife”
The New Yorker: The Writer's Voice - New Fiction from The New Yorker - Un pódcast de WNYC Studios and The New Yorker - Domingos
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Kirsten’s commute is when she really focusses on whether she has the power to destroy Lucy Headrick’s life. Yes, the question hums in the background at other moments, like when Kirsten is at the grocery store and sees a cooking magazine with Lucy on the cover—it’s just so fucking weird how famous Lucy is—but it’s in the car that Kirsten thinks through, in a realistic way, which steps she’d take.
