WCP146 Archives Vol. V, Coming attractions

We’re all willing to watch a short trailer for a new movie or series—IF it’s any good. In a minute or so, we usually know if we’re in (“Ooh, I want to see that one!”) or if it’s a hard no. A sample of one scene and we have a handle on the genre, the plot, the actors, the look and feel. It’s all show, no tell. What we don’t see is the screenwriter, director, or a critic talking to the camera and telling us what the film is about, what they think of it, how much we’ll enjoy it, etc. Not from the studio who wants us to quickly decide to spend our time and money watching the film. And yet writers do the equivalent in their pitches for articles all the time—telling us about a topic rather than showing us a story. What happens in the ones that do get us interested?  YOU MIGHT ALSO LIKE: Bonus episode: Freelance Writer Bootcamp alumni discuss what the program’s really like WORK WITH ME: JOIN THE FREELANCE WRITER BOOTCAMP WAITLIST Join the waitlist for the next session of my small group coaching program, Freelance Writer Bootcamp. You’ll be the first to hear when applications open AND get special access to an early bird bonus: www.FreelanceWriterBootcamp.com Break into your dream publications and get paid well while covering stories that matter. Alumni of my small group coaching program have used these proven pitching processes to break into the New York Times, the Guardian, Bustle, Fodor’s, Condé Nast Traveler, Al Jazeera, the BBC, and many more. We cover all the external skills to improve your pitch acceptance rate, and the internal mindset work to keep you from getting in your own way. Writers on the waitlist will be the first to hear when Bootcamp applications open up for early bird enrollment in the next session. Click here to join the small group waitlist: www.FreelanceWriterBootcamp.com More info and complete show notes: www.rebeccalweber.com/podcast146