(in)sight-reading enlightenment/early music podcast
Un pódcast de Darina Ablogina
67 Episodo
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Reviving the Renaissance with Marc Lewon
Publicado: 30/4/2025 -
London Calling: Inside LIFEM with Chris Butler & Erik Bosgraaf
Publicado: 28/3/2025 -
Pierre Hantaï: Understanding a Genius
Publicado: 3/2/2025 -
Behind the Curtain: Kenneth Zammit Tabona on Early Music and Festival Crafting
Publicado: 26/1/2025 -
Myth of a self-made man/Lila Hajosi (Irini)
Publicado: 31/12/2024 -
Giovanni Antonini: a visionary of our time
Publicado: 20/10/2024 -
Interview with Lucie Horsch, B’Rock and Olga Pashchenko
Publicado: 22/9/2024 -
Motivation to go on stage: Why is it important to be there?
Publicado: 31/8/2024 -
In tribute to the Stockholm Early Music Festival: interview with the artistic director Peter Pontvik
Publicado: 11/7/2024 -
Johann Christoph Friedrich Bach, Werke für Tasteninstrumente with Jermaine Sprosse
Publicado: 28/5/2024 -
The glass bead game of Diversity with Roger Wilson
Publicado: 21/3/2024 -
Stage fright of Clara Schumann and 100 % "no" in job applications
Publicado: 17/3/2024 -
The book "Alte Musik heute" and its creators
Publicado: 5/3/2024 -
Maltese baroque paradise with the Valetta Baroque Festival
Publicado: 30/1/2024 -
Happy new year with Solazzo! Professional burnout: Anna Danilevskaia and the phylosiphic approach to relevant questions
Publicado: 31/12/2023 -
Lucas Debargue: Music is here to disturb us
Publicado: 25/11/2023 -
The genius of collaboration/percussionist Roberto Maqueda
Publicado: 8/10/2023 -
Beethoven's late piano works with Olga Pashchenko
Publicado: 29/9/2023 -
Dina König-the queen of baroque hearts
Publicado: 31/7/2023 -
"There's a room full of people" - What motivates you to go on stage?
Publicado: 26/6/2023
Hello dear friends! Welcome to our brand new podcast dedicated to sight-reading. Why sight-reading? We want to show the behind-the-scenes of music-making. We begin each episode with our initial thoughts on a new score as well as musings about style, aesthetics, and instruments. We challenge ourselves to apply our understanding of historical practices to achieve a more musical reading of a given text. Whether you are amateur musicians looking for tips on sight-reading and insight into historical performance or a seasoned musician, we would be happy if you joined us.
