Subtext: Conversations about Classic Books and Films

128 Episodo

1. (post)script: Post-Wonderful

   Publicado: 27/12/2021
2. The Pain of Anonymity in “It’s a Wonderful Life” (1946)

   Publicado: 20/12/2021
3. (post)script: Is “Die Hard” a Christmas Movie?

   Publicado: 13/12/2021
4. Attachments “Die Hard” at Nakatomi Tower

   Publicado: 6/12/2021
5. Mad as Hell in “Network” (1976)

   Publicado: 22/11/2021
6. Autonomy and Incest in Sophocles’s “Oedipus Rex”

   Publicado: 8/11/2021
7. Gender Opera in “Tootsie”

   Publicado: 25/10/2021
8. Our Name is Subtext, Podcast of Podcasts. Hear our “Ozymandias” Discussion, Ye Listeners, and Despair!

   Publicado: 11/10/2021
9. Sex and Tech in “Alien” by Ridley Scott

   Publicado: 27/9/2021
10. Dead Wall Reveries in Melville’s “Bartleby the Scrivener”

    Publicado: 13/9/2021
11. Cursed Kids or Psych-Au Pair? “The Turn of the Screw” by Henry James

    Publicado: 30/8/2021
12. Gentility and Injustice in “Gone with the Wind” (1939)

    Publicado: 16/8/2021
13. Realism as Cruelty in “A Streetcar Named Desire” by Tennessee Williams

    Publicado: 2/8/2021
14. Prestidigitocracy in “The Wizard of Oz” (1939)

    Publicado: 19/7/2021
15. Formulated Phrases in “The Love Song of J. Alfred Prufrock” by T. S. Eliot: Part 2

    Publicado: 5/7/2021
16. Disturbing the Universe in “The Love Song of J. Alfred Prufrock” by T. S. Eliot: Part 1

    Publicado: 21/6/2021
17. (post)script: Post-Apocalypse

    Publicado: 14/6/2021
18. At Home with War in “Apocalypse Now” (1979) by Francis Ford Coppola

    Publicado: 7/6/2021
19. Unsound Methods in Conrad’s “Heart of Darkness”

    Publicado: 24/5/2021
20. On the Lam with “Thelma & Louise” (1991)

    Publicado: 10/5/2021