81 Episodo

  1. Part 1: XX. Child and Marriage

    Publicado: 13/12/2024

  2. Part 1: XXI. Voluntary Death

    Publicado: 12/12/2024

  3. Part 1: XXII. The Bestowing Virtue

    Publicado: 11/12/2024

  4. Part 2: XXIII. The Child with the Mirror

    Publicado: 10/12/2024

  5. Part 2: XXIV. In the Happy Isles

    Publicado: 9/12/2024

  6. Part 2: XXV. The Pitiful

    Publicado: 8/12/2024

  7. Part 2: XXVI. The Priests

    Publicado: 7/12/2024

  8. Part 2: XXVII. The Virtuous

    Publicado: 6/12/2024

  9. Part 2: XXVIII. The Rabble

    Publicado: 5/12/2024

  10. Part 2: XXIX. The Tarantulas

    Publicado: 4/12/2024

  11. Part 2: XXX. The Famous Wise Ones

    Publicado: 3/12/2024

  12. Part 2: XXXI. The Night-Song

    Publicado: 2/12/2024

  13. Part 2: XXXII. The Dance-Song

    Publicado: 1/12/2024

  14. Part 2: XXXIII. The Grave-Song

    Publicado: 30/11/2024

  15. Part 2: XXXIV. Self-Surpassing

    Publicado: 29/11/2024

  16. Part 2: XXXV. The Sublime Ones

    Publicado: 28/11/2024

  17. Part 2: XXXVI. The Land of Culture

    Publicado: 27/11/2024

  18. Part 2: XXXVII. Immaculate Perception

    Publicado: 26/11/2024

  19. Part 2: XXXVIII. Scholars

    Publicado: 25/11/2024

  20. Part 2: XXXIX. Poets

    Publicado: 24/11/2024

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Friedrich Wilhelm Nietzsche (1844–1900) was a nineteenth-century German philosopher. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, using a distinctive German language style and displaying a fondness for aphorism. Nietzsche’s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. Thus Spake Zarathustra is a work composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the “eternal recurrence of the same”, the parable on the “death of God”, and the “prophecy” of the Overman, which were first introduced in The Gay Science. Described by Nietzsche himself as “the deepest ever written”, the book is a dense and esoteric treatise on philosophy and morality, featuring as protagonist a fictionalized Zarathustra. A central irony of the text is that the style of the Bible is used by Nietzsche to present ideas of his which fundamentally oppose Judaeo-Christian morality and tradition.

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